Showing posts with label newbery. Show all posts
Showing posts with label newbery. Show all posts

Monday, May 28, 2012

Audiobook Review: The Door in the Wall, by Marguerite de Angeli


This book is my first pick for the Newbery Medal Challenge! Hooray!

As mentioned previously, I'm modifying this reading challenge to make it a little less intense, and will be reading one Newbery Medal winner from each decade (instead of every single winner). And yes, I was going to start with the 1920s, but I have to admit that I keep getting hung up every time I look at the choices for that decade-- they're just not appealing. And it seems I'm not alone, according to this article on the Digital Shift. So it's not just me. Whew! But... any advice, Newbery fans? I've got to read a 1920s Newbery winner at some point, after all...

Anyway, after waffling for a few months, I decided to forget about going in order and just jump in with whatever title catches my eye. So! My choice for the 1950s is The Door in the Wall, by Marguerite de Angeli.


de Angeli, Marguerite. The Door in the Wall. 2008. Listening Library. Audiobook $24.00. ISBN 9780739371879

Winner of the 1950 Newbery Medal, this title piqued my interest because of its medieval England setting. Robin, the son of a nobleman, has always anticipated growing up to become a knight, but finds he must learn to cope with a different sort of life when he loses the uses of his legs after an illness. 

This book is what I'd call a cozy read. I enjoyed the details of medieval life and was inspired by Robin's struggle to come to terms with his physical challenges. His transformation from a spoiled brat to a young man with a sense of purpose is heartwarming, as is the large cast of endearing characters who support and encourage him. 

But I have to say: this is not the most suspenseful story ever. An adult with an interest in history (me!) is likely to enjoy it, but the lack of tension in the plot might make it pretty dull for a young reader.

For example: the characters are traveling through a wood, and realize they have to stop for the night. One character mentions he had been this way before, and found a woodcutter's cottage to be a hospitable place to stay. With this kind of setup, you're thinking-- okay, SOMETHING BAD has definitely happened to that woodcutter, and our main characters are about to be attacked by wolves or bandits or zombies. Right? Nope. The band of travelers finds the cottage easily and the woodcutter and his wife are indeed friendly and accommodating. The lack of complications is sort of sweet, really. But will it appeal to today's readers, who expect twists and turns and cliffhangers?

That said, the audio production of this book is truly stellar. Roger Rees, a well-known actor who got his start in the Royal Shakespeare Company, expertly breathes life into the archaic language of the book, making it  accessible for contemporary readers. Too, his steady pacing and wide variety of character voices keep the narrative interesting despite its relatively low-key plot. The audiobook is further enhanced by the addition of medieval music and other sound effects at appropriate times (e.g. when the narrative mentions a song being played on a harp, or church bells ringing), making for a memorable listening experience.

If you're going to read The Door in the Wall, the audiobook is definitely the way to do it.

Wednesday, April 4, 2012

Audiobook Review: Dead End in Norvelt, by Jack Gantos

The Dead End in Norvelt audiobook along for the ride on my commute.
Gantos, Jack. Dead End in Norvelt. 2011. Macmillian Audio. Audiobook $29.99. ISBN 9781427213563

Ah, the 2012 Newbery Medal winner. What can I say? I was rooting for Gary D. Schmidt's Okay For Now, so I couldn't help but experience Dead End in Norvelt through the lens of my disappointment. I can't get over the fact that Okay For Now wasn't honored by any of the ALA Youth Media Awards. (It did just win big over at School Library Journal's Battle of the Kids' Books, which is completely awesome... but still!) 

So, although my perspective on this book may be somewhat biased, I liked Dead End in Norvelt quite a lot. I didn't love it-- but I did enjoy this semi-autobiographical tale of a wacky and life-changing summer in the life of young Jack Gantos as he ends up grounded and spends much of his time transcribing obituaries for an elderly neighbor.

That may not sound like an enticing plot, but surprisingly, my favorite parts of the book were the obituaries. I was so moved by the thought of one very dedicated woman dictating not only tributes to her friends and neighbors, but documenting her beloved town's history. Really, really lovely stuff. Indeed, the overall theme of history- Gantos' affection for studying it, the idea that we should all learn from it- is woven throughout the story to great effect.

Still, this book isn't quite as cohesive as I would expect from a Newbery award winner. There are a lot of plot threads and a lot of characters, and I was expecting them to all intersect and come together in some sort of awe-inspiring way, but... they don't. A mystery is solved, the main character learns an important lesson, and the book just seems to trail off in the end.

That said, I'm very much looking forward to attending this year's Newbery Caldecott Wilder banquet at the ALA Annual Conference in June to see Jack Gantos speak. If his solid performance on this audiobook recording is any indication, his speech should be fantastic. I did find myself missing the variety of character voices I enjoy in audiobooks narrated by professional actors-- but Gantos has a gift for presenting his own writing in an engaging way with a great deal of heart.

At my library, I often help middle school students who are assigned to read a Newbery winner. I would certainly recommend Dead End in Norvelt to any reader looking for a humorous pick.
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